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Incense Burners

Information Table
NameIncense Burner/ Warrior with Butterfly Headdress
IDAEH Cultural Property No1.2.1.0305
CategoryIncense Burners
Photograph
Photo creditsJorge Pérez de Lara
Description

Theater-Type Incensario – Teotihuacan Style
Polychrome ceramic | Pacific Coast of Guatemala (Tiquisate and La Gomera, Escuintla)

Ceremonial incensario with pedestal base and decorated lid, crafted in polychrome clay in shades of yellow, green, light blue, white, and pink. The lid features a warrior whose face is painted red and whose eyes are almond-shaped. He wears a large butterfly-shaped nose ornament which, though abstract in form, showcases a pierced design that reflects Maya innovation.

The upper part of the headdress is crowned by a supernatural butterfly at the center, surrounded by smaller butterfly motifs, while the lower frame includes three glyphs bordered by fringes or feathers. In Mesoamerican iconography, the butterfly is a symbol closely associated with warfare.

Most features of this piece follow the Teotihuacan canon of “sacred war” incensarios. The warrior holds side panels that serve as metaphors for atl-tlachinolli (“water-fire”), a symbol of ritual conflict. These panels are adorned with Maya-style divinatory mirrors, highlighting cultural fusion. The lower rectangle displays three detailed representations of the Teotihuacan “reptilian eye” motif, linked to state ideology—a rare element in incensarios from Guatemala’s Pacific coast.

*Piece voluntarily donated by Mr. Héctor Santamarina Herrera

3D Images
PeriodCLASSIC (150/200 A.D.-900 A.D.) Early Classic (150/200- 650 AD).
ProvenancePacific Coast of Guatemala
Medium / MaterialClay
TechniqueAppliqué / application, Grooving, Incised, Modeled, Molded, Painting
Dimensions

Total Height (base and lid): 84.5 cm

Base “a”
Height: 32.5 cm; Diameter: 31 cm

Lid “b”
Height: 52 cm; Width: 49.5 cm;
Diameter: 30.8 cm

References to similar objects

Similar objects have been found on the Pacific Coast of Guatemala, especially in the area of ​​Tiquisate and La Gomera, Escuintla, dating for the Early Classic
period, especially from 350 – 550 A.D. (Reents-Budet; Headrick and Bishop, 2017)

Bove, Frederick J. 2000. Teotihuacan y la Costa del Pacífico de Guatemala: La ideología de estructura política. En XIII Simposio de Investigaciones Arqueológicas en Guatemala, 1999 (editado por J.P. Laporte, H. Escobedo, B. Arroyo y
A.C. de Suasnávar), pp.117-131. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital).

Reents-Budet, Dorie; Annabeth Headrick and Ronald Bishop. 2017. “Entangled Ideologies on the Pacific Coast: the Teotihuacan-style Maya censers from the Department of Escuintla, Guatemala”. Presented at The 81st Annual Meeting of the Society for American Archaeology, Vancouver, British Columbia. 2017 ( tDAR id: 431290)

Exhibitions

1. “TREASURES OF THE MAYA SPIRIT.” LA Art & Antique Show. LA Convention Center, California (January 4–9, 2014)

2. “TREASURES OF LA RUTA MAYA.” Quiroa Gallery, Paseo de los Museos, Hotel Casa Santo Domingo. Antigua Guatemala (August 30–November 9, 2014)

3. Piece exhibited in the lobby of the Hyatt Centric Guatemala Hotel from August 2017 to April 4, 2025

4. “THE WORLD TREE” (24th Paiz Art Biennial) within the “SELF-HYBRIDATIONS” exhibition by ORLAN. Spanish Cooperation Training Center, Antigua Guatemala (November 5, 2025 to February 15, 2026). General Curator: Eugenio Viola.

Publications